As a conservator, my favourite archival material has always been photographs. There’s just something magical about photography’s mixture of chemistry and artistry that particularly captures my imagination. Therefore, I’d like to share one of the photographic projects we’re tackling in the Collection Care studio.
Recently, as one of our large, ongoing projects, we’ve been conserving and re-housing part of the COPY series. The COPY series comes from the Copyright Office at Stationer’s Hall and contains the forms of application for registration of proprietorship from 1837-1912 of different artistic, commercial or literary categories, one of which is photographs. Attached to most of the forms submitted are one or more photographic prints, providing a representation of what was being registered.
So here’s our challenge: We have 250 boxes each containing up to 600 forms and there is both physical and chemical deterioration to the forms and photographs.
The forms are housed in over-stuffed boxes, large photographs are folded to fit in the standard size boxes and handling has meant that the photograph was often bent to read the text on the form. The chemical damage includes colour change to the photographs or the forms due to adhesives used to secure the photographs to the forms, or due to transfer of the image of a photograph on to a paper form it has been in contact with. Continue reading »