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Posts tagged 'digital'

It’s not just about the technology…

Dear Information Agony Aunt

Help! I’ve recently been given the task of managing digital continuity within my organisation. The thing is I haven’t got a clue where to start. My organisation holds 15+ years’ worth of digital information across a range of different systems (some current and some legacy). I don’t think we have officially deleted anything. Isn’t there a whizzy piece of software that can solve our problems for us?

Your agony aunt at work (catalogue reference DEFE 1/322)

Your agony aunt at work (catalogue reference DEFE 1/322)

Confused

 

Dear Confused

If I had a pound for every time I’ve heard someone say that software could solve all their ills, I’d be a very rich agony aunt! The bad news is that I am not aware of such a system.

The good news is that there are a number of steps that you can take to start getting a handle on this within your organisation:

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Dastardly Digital Dilemmas: 6) Heresy

OK, let’s get it out there.

I don’t want to manage information.

I really don’t.

And I’m sure many of you out there will agree with me.

I support government in managing information and ensuring the historical record, so I’m an information creator and user and an information professional. I exist in a world of perpetual contradiction…

I’m busy. I spend my days creating, processing, using, sharing, storing and talking information. My team has a way of working, a shared space to capture our work, and delivery channels through which to share it. I know what we’re working on, where it is and what it means to us. It works. For us. Sometimes I want to work on the move, drafting blog posts like this on a mobile device on a train. Sometimes I want remote access to our network so I can access the information my team are working on.

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Trainee Tuesday: When archivists and technology collide!

In the past few months, I have been spreading awareness of digital preservation via a workshop and the notion that digital material, like a word document or excel spreadsheet, is also an archive via displays to the general public.

However, focus has been shifted to the archivists themselves as they are the individuals that will be looking after the digital archives now and in the future.

In the last few years, digital preservation has become a core part of the qualification required to become an archivist, but archivists who have been qualified for longer may not be as aware of the issues surrounding digital preservation or be comfortable with the terminology used when discussing the subject unless they have actively decided to complete a Continuing Professional Development (CPD) module or taken part in training provided by The National Archives, the Archives and Records Association (ARA) or professional bodies.

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Christmas in the UK Government Web Archive

A sign in the supermarket yesterday advised me that there were only eight sleeps until Christmas. With that in mind it seemed like a good time to write a post with a festive theme.

Number 10 Christmas card 2009 - The official website of the Prime Minister's Office - archived 4th December 2009

The image above is taken from the website of the Prime Minister’s Office which was archived in December 2009. It shows the image chosen for the official Number 10 Christmas card that year.  The accompanying text explains some of the changes the then Prime Minister, Gordon Brown, and his wife made to make Number 10 more sustainable. I think the historians of the future will be interested to see the importance placed on sustainability and the environment.

Dastardly Digital Dilemmas: 4) Perfect circle(s)

We have the answer.

The answer to how to effectively manage your digital information.

And the answer is in the questions.

Three questions.

It’s that easy.

Seriously.

OK, bear with me a moment. At its most basic level, managing digital information is about making the appropriate decisions as to what level of time, resource and cost you’re going to spend to ensure you have the right technology supporting the right information in delivering the right business requirements. Once you know what that is, you can apply the people you need to work together using the tools they need to deliver the outcomes you need. See? Easy. And that’s the message at the heart of our rather excellent Digital Continuity training course.

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Trainee Tuesday: Digital Preservation is for everyone!

As part of my Opening Up Archives traineeship at the West Yorkshire Archive Service, I am looking into the world that is Digital Preservation. Similar to a fellow trainee, my knowledge of digital preservation was pretty much nonexistent. When presented with the term, although I had my assumptions of what its true meaning was, I didn’t want to rely on that alone. With a background in IT and languages, getting to grips with digital preservation was a little easier than learning about archives as a whole. Digital Preservation, as mentioned in the previous Trainee Tuesday blog post: Tales from the Dark Archive, is the challenge to preserve digital material so that it can be accessed in the future.

In May, I attended the Digital Preservation Training Programme (DPTP) and it brought clarity to the concepts, models and acronyms associated with digital preservation. Practical activities enabled the other attendees and I to think about the subject, what issues there are surrounding it and to see if we could relate the topics to what we do in our own organisations. One benefit was that the OAIS functional model was broken down into sizeable chunks and discussed in great detail. The Open Archival Information system (OAIS) model is a reference model created to give understanding and knowledge of concepts and processes of digital preservation.

Now after five months, I am comfortable talking about checksums, ingest procedures and software involved as well as knowing how an archives works thanks to a lot of reading on my part and a lot of patience from my colleagues.

A packed out room of eager listeners

A packed out room of eager listeners

So this week at the Our Stories Community Archives Conference 2012, I was asked to deliver a workshop for community groups on digitising collections with regards to planning and long term care. This was a great opportunity because it was my first time delivering a workshop at a conference and I could put my knowledge to good use.

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Trainee Tuesday: Tales from the Dark Archive

Checksums, dark archives, OAIS, trusted storage and ingest packages. No, these are not the vital components to some epic science fiction novel – although they are all terms that were completely alien to me before I started my Opening Up Archives Traineeship at Gloucestershire Archives. My Name is Tom Charnock and since April I have been working with all of these terms (and more!) on an almost daily basis as a large part of my traineeship is focused on Digital Preservation. Before I started at Gloucestershire, my knowledge of Digital Preservation was fairly minimal – I’d never even heard the phrase before. I did have a good idea what it the term meant when I was introduced to it, seeing as I have a fairly good grasp of computer technology, software and am a bit of a tech geek at heart…but as far as being actively involved with Digital Preservation? No.

Gloucestershire Archives' building

Gloucestershire Archives' building

That’s changed quite a bit in the five months that I’ve been at Gloucestershire. The first thing I had to learn to appreciate was what exactly the term ‘Digital Preservation’ actually means. At the most basic level, it clearly involves the preserving of digital objects, but there is so much more to it than that and, even though the learning curve has been a pretty steep one, I feel I’ve grasped both the concept and the actual practical implementation of the concept quite well.

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Beyond paper: The digital trail – updated

On Thursday 30 August, we hosted a Twitter chat @UkNatArchives to talk about issues around digital archives. You can read more about the background to the #digtaltrail in our previous post Beyond paper: The digital trail, as well as listen to or download the June discussion on the paper trail and the national collective memory that prompted our Twitter event.

For almost two hours, experts from The National Archives, including Head of Digital Preservation Tim Gollins and Research and Policy Manager Valerie Johnson, engaged with colleagues, peers and members of the public using the hashtag #digitaltrail. The discussion ranged from DNA data storage, through serendipity and marginalia, to the role of the archivist in the digital age.

You can search for all related tweets using the hashtag, or check out our Storify summary.

Storify of Beyond paper: The digital trail

Storify of Beyond paper: The digital trail

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Be Not Afraid: help is at hand for archivists

As a sector, archives are well aware of the impact of the changing way we record and share information. The digital challenge is something that concerns us all. However, it may seem almost too daunting to start, particularly for those archivists working in smaller, less well-resourced archive services. Luckily, it has been a good summer for advice and guidance to help us all to tackle this challenge.

 

A screengrab of Manchester Archives+' flickr photostream showing six sets

A screengrab of Manchester Archives+ flickr photostream: digital engagement is becoming a vital part of archive work across the UK

 

The Heritage Lottery Fund has published Thinking About Good Digital Practice, a guide to support their new policy which for the first time opens the fund to primarily digital projects. The guidance is helpful well beyond those intending to bid for Lottery funds, as it encourages effective planning and advises on how to get the best out of a project involving digital content. It outlines different options for digital projects and reminds us all of some of the key points to planning successful projects, particularly: what do you want to achieve and who is your target audience? Answers to those questions are critical if your work is to have the impact you hope and to justify the investment you are planning. Some of this advice is important for any project, digital or otherwise, but the guidance also gives a host of digital-specific information such as example costs for aspects of a digital project, good practice for file names and metadata, and some really helpful guidance about rights and permissions, issues which can seem very intimidating to newcomers to the subject. The guidance also helps to identify the staff and skills needed, the options for digital outputs, and how to keep digital outputs accessible, safe and findable in future.

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